![]() I almost never render anything at a frame rate higher than 29.97 because there is little or nothing to gain for almost all videos except a doubling of the required bandwidth and file size and the likelihood that YouTube or Vimeo will either serve up a lower resolution copy of my video or cut the frame rate in half when most viewers look at the final product goes way up. It is universal, decodes very quickly, and is visually lossless. That codec also supports alpha channels if you need transparency. We need a detailed description of your project including any color management you are using, and we need to know what render settings you have fiddled with.įYI, when I render a DI (digital intermediate) from After Effects using the Render Queue/Output Module I almost always have my project set to 16-bit color and choose GoPro Cineform 10 bit. To give you specific help and guidance we need to see screenshots showing us the color grading scopes from AE or Premiere Pro. ![]() If you push the color grading too far, don't follow the rules, and expect miracles, you will be disappointed. When you compress video for distribution the color is resampled, the luminance is compressed, and frames are predicted so you are going to lose some quality, but if your color grading is good and your frame size and frame rate corresponds to a standard video format, the Media Encoder or Premiere Pro through the Media Encoder, will do a very good job of rendering a good copy for distribution. The Adobe Media Encoder has presets that comply and you should use them. You must follow Vimeo, YouTube, Facebook, Instagram, and anybody else that streams videos guidelines. Send a visually lossless production master to any streaming service and it will be recompressed into many different H.264 copies with different resolutions, but the compression will be done with a sledgehammer and it will look terrible. These files are not intended to be used for distribution. The Render Queue/Output Module workflow is for producing visually lossless production masters. If you want to maintain color control you have to fully implement color management throughout the entire production process or turn it off completely and let the defaults handle it. You should be using After Effects to create shots you cannot create or manipulate in an NLE like Premiere Pro, and you should be doing your editing in an app like Premiere Pro. ![]() Your post tells me that you are not using the tools properly and that you don't understand video formats, compression, and color space.įirst After Effects is not a video editing app.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |